Miasma is a pure analog oscillator module based on the Curtis CEM3340 chips used in legendary ’80s synths, with new & innovative signal patching:
We designed the Miasma Voltage Controlled Oscillator (VCO) to bring that classic ’80s synthesizer sound back to Eurorack modular systems. We just couldn’t find any currently available oscillators with the sound textures and capabilities that we wanted, so we had to design our own; and now you get to own one as well.
There are many unique capabilities built into Miasma that you won’t find in any other oscillator module, like the built-in patching and cross modulation structures that make Miasma so flexible in your rack. However, it’s all about the sound – so let’s start with some Miasma audio samples, before we go into the technical details of how we make that sound possible (best listening with Headphones!)
Jeremy S Cook writes on the Tindie blog:
Take a look at Tindie’s thriving sound section and you’ll see there is no shortage of people making their own electronic music. These devices take many forms, and one interesting take on sound creation is the OKAY 2 Synth DIY Kit. At face value it features 2 octaves of keys, a built-in amplifier along with a 1/4″ line out, and knobs to select the octaves that you’d like to play — but it gets more interesting under the hood.
Oskitone OKAY 2 from oskitone on Vimeo.
What makes it unique by today’s standards is that it doesn’t use any sort of computer or microcontroller, but instead produces sound using an LM555 timer along with other discreet components for monophonic sound. Given its small size, you could use two at once, perhaps combining them via the line out to be further modified in your synth setup!
In case you’re wondering, the original—or nearly so as it’s version 1.1.1—OKAY is also available. It works largely the same as the OKAY 2, but features only a single octave of keys, and doesn’t have an audio output jack.
What’s an ADSR envelope generator? If you are a big music hacker, you probably know. If you are like the rest of us, you might need to read [Mich’s] post to find out that it is an attack-decay-sustain-release (ADSR) envelope generator. Still confused? It is a circuit used in music synthesis. You can see a…
via The Sound of (Synthesized) Music — Hackaday
Alexander Ryzhkov created a small 555 timer-based piano:
Main goal of this project has been creating pretty designed 555 based piano in small form-factor. Many 555 piano are using 9V battery for supply. I use CMOS timer and for timer need only 3V supply.
The design files are available on GitHub:
Here is a video of the board in action:
has shared the board on OSH Park:
[Ross Fish], [Darcy Neal], [Ben Davis], and [Paul Stoffregen] created “the Monolith”, an interactive synth sculpture designed to showcase capabilities of the Teensy 3.6 microcontroller. The Monolith consists of a clear acrylic box covered in LED-lit arcade buttons. The forty buttons in front serve as an 8-step sequencer with five different voices, while touch sensors on the left…
via The Monolith Brings the Boom to Maker Faire — Hackaday
Teensy creator Paul Stoffregen has shared a new project on OSH Park:
The Monolith Synth Project needed to use a large number of these LED lit arcade buttons.
Dimming of the LEDs was required. Initially I considered using this Adafruit 16 Channel PWM board. But the LEDs in these buttons have integrated resistors which require 12 volts, so 16 transistor circuits and another board for reading the switches would have also been needed.
It uses the same PCA9685 chip for 12 bit PWM control on every LED, with mosfet drivers to handle 12V outputs, and also a MCP23017 chip to read the buttons. Every button has a discrete 1K pullup resistor (rather than using the higher impedance on-chip pullups) to help with use in the same cable bundles cross coupling to 12V PWM signals.
Four of these boards where used in the Monolith Synth project:
The project is featured in this Tested video:
From Brian Benchoff on Hackaday:
Before there were samplers, romplers, Skrillex, FM synths, and all the other sounds that don’t fit into the trailer for the new Blade Runner movie, electronic music was simple. Voltage controlled oscillators, voltage controlled filters, and CV keyboards ruled the roost. We’ve gone over a lot of voltage controlled synths, but [Tommy] took it to the next level. He designed a small, minimum viable synth based around the VCO in an old 4046 PLL chip
The circuit for this synth is built in two halves. The biggest, and what probably took the most time designing, is the key bed. This is a one-octave keyboard that’s completely 3D printed. We’ve seen something like this before in one of the projects from the SupplyFrame Design Lab residents, though while that keyboard worked it was necessary for [Tim], the creator of that project, to find a company that could make custom key beds for him.
Read more on the F0 on Tommy’s blog: